{"id":3157,"date":"2018-06-02T16:50:55","date_gmt":"2018-06-02T16:50:55","guid":{"rendered":"https:\/\/awaproject.com\/dunia-hedreville\/"},"modified":"2019-04-07T20:12:56","modified_gmt":"2019-04-07T20:12:56","slug":"dunia-hedreville","status":"publish","type":"page","link":"https:\/\/awaproject.com\/en\/dunia-hedreville\/","title":{"rendered":"Dunia H\u00e9dreville"},"content":{"rendered":"\t\t
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DUNIA H\u00c9DREVILLE<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Born in Paris the 20th of February 1965, of a Spanish mother and a Guadeloupean father from the lesser Antilles, a saxophonist amateur of zouk and folklore music.<\/strong><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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She spent her childhood between France, the Caribbean and Spain and finally settled in Mallorca where she perfected her vocal technique learning with the soprano Catalina Negre.<\/strong><\/p>

She trained her versatility with many projects in different groups and musical formations, singing jazz and swing.<\/strong><\/p>

Inspired by divas such as Ella Fitzgerald, Billie Holiday, Sarah Vaughan, Carmen Mcrae, Dinah Washington, Anita O’day, Betty Carter, Diane Schuur, Bessie Smith;<\/strong> the Dunia Hedreville SWING QUINTET and Dunia’s JAZZ are born.<\/p>

– Nova Cova from Jazz de Terrasa | Barcelona 1996<\/p>

– Jamboree Club | Barcelona 1996<\/p>

– Dunia H\u00e9dreville & Martin Ventura | Sant Cugat del Vall\u00e9s 1996.<\/p>

– Sa Ximboba Swing Quintet | Mallorca 1995-97.<\/p>

-Dunia H\u00e9dreville Quartet | London Club Barcelona 1997-98<\/p>

– Joan Soler Quintet | Valencia 1999.<\/p>

– Dunia H\u00e9dreville & Jordi Torrents | Bagdad Caf\u00e9 Mallorca 2000.<\/p>

-Dunia H\u00e9dreville Quintet | Jazz Festival of Ciutat Vella Barcelona 2000<\/p>

-Dunia H\u00e9dreville Quintet | Costa Nord Valledemossa Mallorca 2000<\/p>

As a soloist she explores the religious and African singing<\/strong>, the improvisation fascinated by pure and abstract sounds<\/strong>, exploring the essence of emotion without the need to pronounce a word.<\/p>

She embarks in “Cantos del Alma<\/strong><\/a>” as a soloist in 1998 accompanied by djembe and percussion, marking a first exploration of her spiritual dimension through gospel, stories and narrations in the African tradition, allowing the audience participate.<\/p>

She also collaborates with theater and social and formative programs<\/a>, she becomes involved in teaching until returning to her roots with afro jazz.<\/p>

– Theatrical Performance “Via Crucis” | Stairways of the Cathedral of Palma. Mallorca 1998-2001.<\/p>

– “D.I.U.” descenso interior urgente | Main Theater. Mallorca 1999.<\/p>

– Concert per Elsa Grands Llacs Africans | Auditori del Conservatori. Mallorca 1999.<\/p>

– Dunia H\u00e9dreville in “Cantos del Alma” | Teatre Municipal de Calvi\u00e1. Mallorca 1998.<\/p>

– Church Ca’s Concos | Mallorca 1998.<\/p>

– S ‘horta in Cycle | Mallorca 1998.<\/p>

– Quej\u00edo. Osotros por ti | Casal Balaguer. Mallorca 1998.<\/p>

– Sa Nostra Foundation. “Music sense fronteres” | Mallorca 1996. Formentera 1998.<\/p>

In 1999, the album “Makama Nye<\/a>” is a first composition, an ambitious original record that grows into a stage play, in an audiovisual show “Makama Nye”<\/a>.<\/p>

– Teatro Principal | Mallorca 2000.<\/p>

– Auditorium of Palma | Mallorca 2000.<\/p>

– Palau Robert | Barcelona 2001<\/p>

– FITEC 7 | Getafe Madrid 2010<\/p>

Followed by the recording of “Tierra” | El planeta musical 2000.<\/p>

A new formation comes to life in 2001 called \u00d1u Day\u00e9<\/strong> its meaning in Wolof Senegalese<\/strong> is “The Encounter”. She participates in artistas in ruta in Madrid, Barcelona and Zaragoza in 2003-06.<\/p>

It is a first incursion into afro jazz, a fusion, a musical crossover<\/strong>.<\/p>

Zouk, reggae, jazz, Latin rhythms and the European conception of harmony are mixed together.<\/strong><\/p>

In 2005 initiating “AWA”<\/strong> as the continuity of “Makama Nye<\/strong>“. The stage show is developed for the purpose of capturing this live body of work<\/strong> in the recording studio one year later.<\/p>

– “AWA”<\/a> Conservatory of Palma | Mallorca 2005.<\/p>

– “AWA”<\/a> Festival Etnosur 2006.<\/p>

– EL IY\u00c1<\/a> | Mallorca 2007-08<\/p>

– AWA PROJECT<\/a> | Mallorca 2008-18<\/p>

– ONLY YOU<\/a> | Mallorca 2014-18<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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From 2008 to the present day, the duo El IY\u00c1, which she forms with Lazaro<\/a>, has allowed Dunia to once again challenge herself with the Cuban key<\/strong>, with a more traditional and simple sound<\/strong>, imbuing herself with the Cuban rhythm<\/strong> that takes her back to her Caribbean roots.<\/strong><\/p>

The musical evolution of this artist is a particular didactic path that has led her to discover herself, in her corporality as a woman<\/strong>, composing hymns<\/strong>, singing homages<\/strong> to femininity as a sacred Deity.<\/p>

This journey has been a self-affirmation of her identity as a mestizo girl from Africa<\/strong>, from the Caribbean<\/strong>, connecting with the universality of the human soul<\/strong>.<\/p>

She has appropriated for herself in her beginnings the jazz, the African-American singing expression<\/strong> as a second skin, in search of her inner virtuosity.<\/p>

With the gospel<\/strong> she found her spiritual dimension<\/strong> that has taken her back to her origins to communicate with the sacred and ancestral voices of her African ancestors.<\/strong><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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music<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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mENOS pAUSAS\u200b

\u00a92007<\/a><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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AWA

\u00a92006<\/a><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Makama Nye

\u00a91999<\/a><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

DUNIA H\u00c9DREVILLE Born in Paris the 20th of February 1965, of a Spanish mother and a Guadeloupean father from the lesser Antilles, … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"generate_page_header":"","footnotes":""},"class_list":["post-3157","page","type-page","status-publish"],"yoast_head":"\nDUNIA H\u00c9DREVILLE - Paris, zouk, m\u00fasica folklore,<\/title>\n<meta name=\"description\" content=\"DUNIA H\u00c9DREVILLE Born in Paris the 20th of February 1965, of a Spanish mother and a Guadeloupean father from the lesser Antilles, a saxophonist amateur of zouk and folklore music.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/awaproject.com\/en\/dunia-hedreville\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DUNIA H\u00c9DREVILLE - 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